The purpose of this article is to identify early and recent Pentecostal studies in the West and to highlight the main difference between them. Today there are more than 250 million Pentecostals in the world, and together with the charismatic movement there are more than 500 million. Having begun to spread in the 20th century, the movement claims to be the fastest growing religious phenomenon in human history. In attempts to interpret the phenomenon of the movement's growth, there have been (...) several gradually emerging approaches: explaining the origin of the movement as supernaturally "coming from heaven"; searching for the origins of Pentecostalism in other Christian movements; presenting the emergence of the movement as the result of social and psychological factors such as poverty, marginalization, and the desire to escape from modern society; and the multicultural approach. The paper analyzes the works of Western historians and theologians of Pentecostalism since the second half of the 20th century. The result shows a turning point between early and late studies, namely that late studies aim to revise the history and include participants in the movement around the world, not just in North America, explore the contribution to the development of the movement of local ministers who have long remained in the shadow of Western missionaries, emphasize the diversity of ideologies and social influences that have shaped the movement. It also highlights three major contemporary areas of research: historical, characterized by studies of Pentecostalism in Asia, Africa, and Latin America; theological, focusing on the development and shaping of theoretical theology as a result of the movement's institutionalization; and religious studies, practiced primarily from the perspective of the sociology of religion. (shrink)

The semiosphere is arguably the most influential concept developed by Juri Lotman, which has been reinterpreted in a variety of ways. This paper returns to Lotman’s original “anthropocentric” understanding of semiosphere as a collective intellect/consciousness and revisits the main arguments of Lotman’s discussion of human vs. nonhuman semiosis in order to position it in the modern context of cognitive semiotics and the question of human uniqueness in particular. In contrast to the majority of works that focus on symbolic consciousness and (...) multimodal communication as specifically human traits, Lotman accentuates polyglottism and dialogicity as the unique features of human culture. Formulated in this manner, the concept of semiosphere is used as a conceptual framework for the study of human cognition as well as human cognitive evolution. (shrink)

The article is focused on studying the philosophical and legal nature of fundamental human rights and freedoms, which are interpreted as natural and inherent in a person from birth. It is shown that the “naturalness” of rights and freedoms is a legal fiction. In reality, natural rights and freedoms have a sociocultural, that is, “artificial” character. They strengthen the achieved level of guarantees of individual freedom and humanity in public relations.

The works, views and ideas of Heini Hediger (1908-1992), one of the most distinguished and influential zoologist of the 20th century, had and still have an enormous impact on contemporary understanding of animal behaviour. His views on territorial, social, etc. aspects of animal behaviour are based on semiotic concepts derived from Umwelt-theory (J. v. Uexküll) and combined with ideas from modern ethology. Hediger's special attention was devoted to the area of animal-man communications; he treated these problematic phenomena as a system (...) of semiosis-processes, in a mainly holistic way. Hediger's approach inspires the author to propose a notion "the need for impression" to be used in zoosemiotic analyses. (shrink)

v. 1. Recursive model theory -- v. 2. Recursive algebra, analysis and combinatorics.

The article considers the conceptual pair of violence and the sacred as a commonplace ("topos”) of French scientific, philosophical, and religious thought of the 20th-21th centuries and explains why this pair was so relevant and attracted many dissimilar thinkers. Six authors are taken as the main examples: G. Bataille, R. Caillois, R. Girard, E. Levinas, M. Eliade, and J. Kristeva. For analytic purposes, the author identifies three "common factors” that unite them. Firstly, the influence of the French sociological school (Durkheim, (...) Hubert and Moss, Dumezil, Hertz etc.). Among other things, these scholars studied the religious meaning of blood, violent ascetics and sacrifice, conceptualizing violence as a pledge of social cohesion (Durkheim) or as a factor of transition from the profane to the sacred world (Hubert and Moss). Secondly, the ideas of these six thinkers were inspired by real violence, which they tried to comprehend via the concept of the sacred. In particular, their reflection was influenced by the cultural and personal experience of world wars. Third, this conceptual pair is value-charged and used to create a new religion or interpret the existing ones in heterodox way. As starting point for this creative process, Catholic or Orthodox Christianity, Christian atheism, and Judaism are taken. The author concludes that even if this topos is forgotten today, it undoubtedly remains significant for the history of sociology and philosophy, as well as for cultural history. (shrink)

Only now can we consider that the question of genuine mythical detachment has been fully clarified. We remember how difficult it was to find the true root of this detachment. We compared mythical detachment with general material detachment and poetic detachment but could not find a satisfactory answer anywhere. All the time we have faced a difficult task: to synthesize the sensuousness, extreme con-creteness, and purely material corporeality of myth with its otherworldly, fabulous, and generally acknowledged "unreal" character. After many (...) attempts we have only now finally found this genuine synthesis in the concept of miracle. Miracle is thus an absolutely necessary dialectical synthesis by which mythical consciousness lives and without which myth itself would not exist. From this point of view, myth's relation to other areas of human creativity also appears in a new light. (shrink)

The theory of constructive (recursive) models follows from works of Froehlich, Shepherdson, Mal'tsev, Kuznetsov, Rabin, and Vaught in the 50s. Within the framework of this theory, algorithmic properties of abstract models are investigated by constructing representations on the set of natural numbers and studying relations between algorithmic and structural properties of these models. This book is a very readable exposition of the modern theory of constructive models and describes methods and approaches developed by representatives of the Siberian school of algebra (...) and logic and some other researchers (in particular, Nerode and his colleagues). The main themes are the existence of recursive models and applications to fields, algebras, and ordered sets (Ershov), the existence of decidable prime models (Goncharov, Harrington), the existence of decidable saturated models (Morley), the existence of decidable homogeneous models (Goncharov and Peretyat'kin), properties of the Ehrenfeucht theories (Millar, Ash, and Reed), the theory of algorithmic dimension and conditions of autostability (Goncharov, Ash, Shore, Khusainov, Ventsov, and others), and the theory of computable classes of models with various properties. Future perspectives of the theory of constructive models are also discussed. Most of the results in the book are presented in monograph form for the first time. The theory of constructive models serves as a basis for recursive mathematics. It is also useful in computer science, in particular, in the study of programming languages, higher level languages of specification, abstract data types, and problems of synthesis and verification of programs. Therefore, the book will be useful for not only specialists in mathematical logic and the theory of algorithms but also for scientists interested in the mathematical fundamentals of computer science. The authors are eminent specialists in mathematical logic. They have established fundamental results on elementary theories, model theory, the theory of algorithms, field theory, group theory, applied logic, computable numberings, the theory of constructive models, and the theoretical computer science. (shrink)

The subject of the study is the process of many aspects of audiovisual creativity that must be taken into account when creating a video. The object of the work is to create a movie trailer through the use of design elements and graphics in the video sequence. The study examines the trailer of a post-apocalyptic fantasy genre called "Genesis", in which the two main characters are depicted as opposites. The work examines and describes in detail all the stages of creating (...) a video trailer for the film, including visual representation, audio accompaniment of the video sequence. The paper notes that the main goal of all the stages of trailer development considered in the article is to create an audiovisual project of professional quality. The main methods used in the study are visual effects modeling and 3D modeling in Houdini, creating realistic matte paintings in Photoshop and video compositing in Nuke. The main conclusions of the study are those specialized programs that allow you to create a high-quality author's product. This software will become the core of the project, since it is in it that all the elements will be combined into one final clip due to the high-quality integration of various objects of the scene. The novelty of the research lies in the fact that within the framework of the work, the characteristics of the possibilities of working with various video editors and graphic programs were carried out, which together help the creators of movie trailers and other similar products to realize the tasks of entertainment and quality of the projects produced. (shrink)

The article is devoted to the Tibetan-language work of the modern Tibetan master Geshe Tupten Pelsang "Compilation of Sutras for the synthesis of the path to Enlightenment with reference to the topics set forth in the Great Lamrim" (lam rim chen mo'i sa bcad kyi zur rgyan mdo btus lam sgrig). It is established that this is the first Roman (extra-sectarian) Lamrim based solely on excerpts from the Word of the Buddha (Kangyur) and does not use a set of Buddhist (...) shastras ‒ Tengyur. There are various texts that bring together the instructions transmitted by Shakyamuni Buddha. It is determined that in this case such kind of genre as anthology (btus-pa) is considered. It is a thematic selection and bringing in a certain order of quotations of the Word of the Buddha, but at the same time expresses a certain opinion and creativity of the author himself. At the same time, it was revealed that the work is based on a structural presentation of the stages of the path to enlightenment according to the "Big Lamrim" of Je Tsongkhapa. It is determined that the author does not derive the justification of the correctness of the provisions of the lamrim (step-by-step path) from logical argumentation, but conducts it by fully quoting a canon that is appropriate in the meaning of a part of the text. The source editions for citation are the Kangyur editions of Nartang (snar-thang) and Derge (sde-dge). (shrink)

RESUMO Absurdo e falta de sentido são geralmente estudados como categorias filosóficas e/ou lógicas. Este artigo examina o absurdo como um fenômeno semiótico e como parte dos mecanismos de geração de significado. Argumenta que o problema do absurdo e do significado como um todo é, acima de tudo, um problema textual. Esta abordagem se fundamenta no legado do semioticista e estudioso da literatura Iúri Lótman, especialmente em seus conceitos de explosão e nas noções de “não-texto” e “menos- dispositivo”. O conceito (...) de absurdo destaca o inerente paradoxo informacional da cultura humana e de seus sistemas de comunicação, nos quais ruído, erros e contratempos não impedem a comunicação, pelo contrário, estimulam-na. Em uma escala maior, o exemplo de como as culturas humanas lidam com o “não-sentido” na comunicação tem implicações para o estudo da evolução da cultura e da linguagem humanas e também traz luz adicional ao problema metodológico da relação texto/signo. ABSTRACT Absurdity and nonsense are usually studied as philosophical and/or logical categories. This paper examines nonsense as a semiotic phenomenon and as part of the mechanisms of meaning generation, and argues that the problem of nonsense and meaning as a whole is foremost a textual problem. This approach is based on the legacy of the semiotician and literary scholar Iurii Lotman, and especially his concepts of explosion and the notions of “non-text” and “minus-device.” The concept of nonsense thus highlights the inherent informational paradox of human culture and human communication systems, in which noise, errors and mishaps do not impede communication but on the contrary, stimulate it. On a larger scale the example of how human cultures deal with ‘non-sense’ in communication has implications for the study of the evolution of human culture and language and also draws additional light to the methodological problem of the text/sign relation. (shrink)

The main feature of the signs of health in the animal habitus and behaviour can be characterised as the readiness to adequately (for a species) serve the need for impression (in animalistic elements of the Umwelt). The signs of disease, however multifarious and diverse, generally display certain lack of Umwelt-oriented attentiveness, alertness. Attention of deeply afflicted animals is strongly Innenwelt-oriented; and in some species a set of such signs, suggesting sickness or mortal disease is used as a set of traits (...) in the mimicry of dying. The semiotic factors in health-disease relationships are apparently connected with intuition — like responses creating in the semiosphere a structure of Umwelt-Innenwelt polarized tensions, important in ecological and evolutional developments. (shrink)

This article examines the innovations introduced to phenomenological philosophy by the Russian philosopher Gustav Gustavovich Shpet. We identify the motifs and results of Shpet's problematization of the Husserlian concept of constitution, and we develop Shpet's treatment of the source of semantic genesis as a generative experience.